Call of Cthulhu is rated 3.9 out of 5 by 139. Rated 1 out of 5 by Jessarcastic 27 from Not worth it This game was awful and i can see why i was able to get it so cheap. Call of Cthulhu (role-playing game) Call of Cthulhu is a horror fiction role-playing game based on H. Lovecraft's story of the same name and the associated Cthulhu Mythos. The game, often abbreviated as CoC, is published by Chaosium; it was first released in 1981 and is currently in its seventh edition, with many different versions released. Call of Cthulhu is a dark adventure game that combines elements of a psychological thriller, a stealth game and horror. It is based on books written by H. Lovecraft, an American writer. The game is based on his Cthulhu mythology. The main character, Edward Pierce, is a private detective.

Call of Cthulhu: The Official Video Game looked promising. Its impressive trailers and gameplay demos saw it become one of the most anticipated horror games of the year, especially with it releasing so close to Halloween. Unfortunately for anyone looking for a good scare, it doesn't live up to expectations, to say the least.

Call of Cthulhu is a confused game that doesn't quite know what it wants to be, and the result is a bunch of half-baked ideas that are never really fleshed out or developed in a significant way. At times, it's a detective game where players interview witnesses, collect clues, and analyze crime scenes. Other times it's a Deus Ex-style RPG where players are tasked with overcoming challenges. And then strangely it plays like a walking simulator. Some stealth sections are thrown in for good measure, but due to the game's short length, some of these mechanics are only experienced a handful of times, making them feel tacked-on and shallow.

The detective portions are the strongest part of Call of Cthulhu, as they shed more light on the story, which is one of the game's only redeeming qualities. It's fun to interact with the people of Darkwater, learning their backstories and discovering more about the island's mysterious past. The Lovecraftian backdrop certainly doesn't hurt, and the core mystery is interesting enough that some players may still be compelled to see the game through to the end despite the gameplay ranging from dull to downright awful.

Dull is a great way to describe Call of Cthulhu's RPG elements. A perfect example of one of the game's features being only partly developed, the RPG elements are virtually inconsequential after the initial stat-selection process. Players spend points on a few different categories for protagonist Edward Pierce, choosing to focus on things like Eloquence, which will help him get additional information in conversations, or Strength, which predictably helps him strong-arm his way through some situations. Edward can upgrade these skills by completing certain tasks in-game, but players likely won't have time to upgrade the skills to the point where they will actually be useful. There isn't really a point to a skill tree system like this when there isn't much the player can do to improve the skills they didn't spend points on in the very beginning.

Even with some of the skills almost fully upgraded, we still found ourselves failing attempts at persuading characters or picking locks. It seems like the only way these skills can be relied on is if they're fully upgraded, which will only happen if players load them with points at the beginning. So even though Call of Cthulhu offers multiple ways to complete objectives in the game, players are usually locked out of every option except one.

Having said that, the open areas where Edward is able to put his limited skills to the test are still more enjoyable than other parts of the game. When they're not in these open areas, players are often herded through hallways, with the game's surprisingly strict linearity making it come across as a cheap haunted house. And just like a real life haunted house attraction, almost nothing that jumps out can hurt the player, as Call of Cthulhu has surprisingly little in the way of actual threats.

Enemies are in the game, though they are few and far between, and encounters with them lack any kind of thrill or tension. Enemies usually appear during the game's frustrating stealth sections, which are that way not because they're difficult, but because they defy logic and hardly function. If players are seen by an enemy, they can usually just sprint away and escape them with ease, especially since none of the enemies seem capable of actually catching up to Edward. There are closets players can hide in, and we were able to climb into these in full view of enemies and still evade capture. There are no stakes with the stealth, and it just doesn't work in Call of Cthulhu, serving only to weigh the game down even further.

Despite its poor gameplay, Call of Cthulhu could've redeemed itself somewhat if it had anything to offer when it comes to its graphics or audio, but it fails there as well. Visually, the game looks more like an Xbox 360-era game than something that belongs on current-generation consoles, with poor animations and decidedly unimpressive character models. The voice acting is also substandard, with many of the performances sounding forced as the actors read off the cheesy dialogue. Even worse though is the musical score, something that is absolutely crucial to the atmosphere of a successful horror game. The music in Call of Cthulhu lacks impact and doesn't come close to establishing the creepy atmosphere better horror games are able to deliver.

The lack of a creepy atmosphere hurts Call of Cthulhu more than anything else. Some horror gaming fans are willing to put up with an otherwise lackluster gameplay experience if it means some genuine scares, but Call of Cthulhu simply doesn't deliver. It tries to creep players out with some grotesque imagery and monsters, but the monster designs are unimaginative, with one creature looking like a cheap knockoff of something from Cloverfield. The unenthusiastic audio design keeps it from even doing jump scares well, so not even cheap scares can be found here.

Call of Cthulhuwants to be scary. But instead of invoking a sense of fear in the player, Call of Cthulhu is almost relaxing to play, especially during the detective sequences, which is the exact opposite way a horror game should make players feel. Fans of the genre shouldn't bother seeking it out for that reason alone, but for many other reasons, it's not worth playing in general, horror fan or not.

Call of Cthulhu: The Official Video Game is out now for PC, PS4, and Xbox One. Game Rant reviewed the game on Xbox One.

Call of Cthulhu is a horror fictionrole-playing game based on H. P. Lovecraft's story of the same name and the associated Cthulhu Mythos.^[1] The game, often abbreviated as CoC, is published by Chaosium; it was first released in 1981 and is currently in its seventh edition, with many different versions released. It makes use of Chaosium's Basic Role-Playing (BRP) system, with special rules for Sanity.^[2]

• 2History
• 3Licenses

Gameplay[edit]

The setting of Call of Cthulhu is a darker version of our world, based on H. P. Lovecraft's observation (from his essay, 'Supernatural Horror in Literature') that 'The oldest and strongest emotion of mankind is fear, and the strongest kind of fear is fear of the unknown.' The original game, first published in 1981, uses mechanics from Basic Role-Playing, and is set in the 1920s, the setting of many of Lovecraft's stories. Additional settings were developed in the Cthulhu by Gaslight supplement, a blend of occult and Holmesian mystery and mostly set in England during the 1890s, and modern/1980s conspiracy with Cthulhu Now and Delta Green. More recent additions include 1000 AD (Cthulhu: Dark Ages), 23rd century (Cthulhu Rising) and Ancient Roman times (Cthulhu Invictus). The protagonists may also travel to places that are not of this earth, represented in the Dreamlands (which can be accessed through dreams as well as being physically connected to the earth), to other planets, or into the voids of space. In keeping with the Lovecraftian theme, the gamemaster is called the Keeper of Arcane Lore, or simply the keeper, while player characters are called 'investigators'.

CoC uses the Basic Role-Playing system first developed for RuneQuest and used in other Chaosium games. It is skill-based, with player characters getting better with their skills by succeeding at using them for as long as they stay functionally healthy and sane. They do not, however, gain hit points and do not become significantly harder to kill. The game does not use levels.

CoC uses percentile dice (with a results ranging from 1 to 100) to determine success or failure. Every player statistic is intended to be compatible with the notion that there is a probability of success for a particular action given what the player is capable of doing. Super mario galaxy dolphin rom. For example, an artist may have a 75% chance of being able to draw something (represented by having 75 in Art skill), and thus rolling a number under 75 would yield a success. Rolling ​¹⁄₅ or less of the skill level (1-15 in the example) would be a 'special success' (or an 'impale' for combat skills) and would yield some extra bonus to be determined by the keeper. For example, the artist character might draw especially well or especially fast, or catch some unapparent detail in the drawing.

The players take the roles of ordinary people drawn into the realm of the mysterious: detectives, criminals, scholars, artists, war veterans, etc. Often, happenings begin innocently enough, until more and more of the workings behind the scenes are revealed. As the characters learn more of the true horrors of the world and the irrelevance of humanity, their sanity (represented by 'Sanity Points', abbreviated SAN) inevitably withers away. The game includes a mechanism for determining how damaged a character's sanity is at any given point; encountering the horrific beings usually triggers a loss of SAN points. To gain the tools they need to defeat the horrors – mystic knowledge and magic – the characters may end up losing some of their sanity, though other means such as pure firepower or simply outsmarting one's opponents also exist. CoC has a reputation as a game in which it is quite common for a player character to die in gruesome circumstances or end up in a mental institution. Eventual triumph of the players is not assumed.

History[edit]

The original conception of Call of Cthulhu was Dark Worlds, a game commissioned by the publisher Chaosium but never published. Sandy Petersen contacted them regarding writing a supplement for their popular fantasy game RuneQuest set in Lovecraft's Dreamlands. He took over the writing of Call of Cthulhu, and the game was released in 1981.^[3]

Editions[edit]

Since Petersen's departure from Chaosium, continuing development of Call of Cthulhu passed to Lynn Willis, credited as co-author in the fifth and sixth editions, and more recently to Paul Fricker and Mike Mason. The game system underwent only minor rules changes in its first six editions (between 1981 and 2011); the current seventh edition, released 2014, includes more significant rules alterations than in any previous release.^[4]

Early releases[edit]

For those grounded in the RPG tradition, the very first release of Call of Cthulhu created a brand new framework for table-top gaming. Rather than the traditional format established by Dungeons & Dragons, which often involved the characters wandering through caves or tunnels and fighting different types of monsters, Sandy Petersen introduced the concept of the Onion Skin: Interlocking layers of information and nested clues that lead the player characters from seemingly minor investigations into a missing person to discovering mind-numbingly awful, global conspiracies to destroy the world. Unlike its predecessor games, CoC assumed that most investigators would not survive, alive or sane, and that the only safe way to deal with the vast majority of nasty things described in the rule books was to run away. A well-run CoC campaign should engender a sense of foreboding and inevitable doom in its players. The style and setting of the game, in a relatively modern time period, created an emphasis on real-life settings, character research, and thinking one's way around trouble.

Canon pc425 copier manual. PC745.

The first book of Call of Cthulhu adventures was Shadows of Yog-Sothoth. In this work, the characters come upon a secret society's foul plot to destroy mankind, and pursue it first near to home and then in a series of exotic locations. This template was to be followed in many subsequent campaigns, including Fungi from Yuggoth (later known as Curse of Cthulhu and Day of the Beast), Spawn of Azathoth, and possibly the most highly acclaimed, Masks of Nyarlathotep.^[15]

Shadows of Yog-Sothoth is important not only because it represents the first published addition to the boxed first edition of Call of Cthulhu, but because its format defined a new way of approaching a campaign of linked RPG scenarios involving actual clues for the would-be detectives amongst the players to follow and link in order to uncover the dastardly plots afoot. Its format has been used by every other campaign-length Call of Cthulhu publication. The standard of CoC scenarios was well received by independent reviewers. The Asylum and Other Tales, a series of stand alone articles released in 1983, rated an overall 9/10 in Issue 47 of White Dwarf magazine.^[16]

The standard of the included 'clue' material varies from scenario to scenario, but reached its zenith in the original boxed versions of the Masks of Nyarlathotep and Horror on the Orient Express campaigns. Inside these one could find matchbooks and business cards apparently defaced by non-player characters, newspaper cuttings and (in the case of Orient Express) period passports to which players could attach their photographs, increasing the sense of immersion. Indeed, during the period that these supplements were produced, third party campaign publishers strove to emulate the quality of the additional materials, often offering separately-priced 'deluxe' clue packages for their campaigns.

Additional milieux were provided by Chaosium with the release of Dreamlands, a boxed supplement containing additional rules needed for playing within the Lovecraft Dreamlands, a large map and a scenario booklet, and Cthulhu By Gaslight, another boxed set which moved the action from the 1920s to the 1890s.

Supplement campaigns[edit]

• Shadows of Yog-Sothoth, 1982
• Fungi from Yuggoth, 1984
• Masks of Nyarlathotep, 1984
• Spawn of Azathoth, 1986
• Horror on the Orient Express, 1991
• Beyond the Mountains of Madness, 1999

Cthulhu Now[edit]

In 1987, Chaosium issued the supplement titled Cthulhu Now, a collection of rules, supplemental source materials and scenarios for playing Call of Cthulhu in the present day. This proved to be a very popular alternative milieu, so much so that much of the supplemental material is now included in the core rule book.

Delta Green[edit]

Pagan Publishing released Delta Green, a series of supplements originally set in the 1990s, although later supplements add support for playing closer to the present day. In these, player characters are agents of a secret agency known as Delta Green, which fights against creatures from the Mythos and conspiracies related to them. Arc Dream Publishing released a new version of Delta Green in 2016 as a standalone game, partially using the mechanics from Call of Cthulhu.

Lovecraft Country[edit]

Call Of Cthulhu Video Game Character Creation

Lovecraft Country was a line of supplements for Call of Cthulhu released in 1990. These supplements were overseen by Keith Herber and provided backgrounds and adventures set in Lovecraft's fictional towns of Arkham, Kingsport, Innsmouth, Dunwich, and their environs. The intent was to give investigators a common base, as well as to center the action on well-drawn characters with clear motivations.

Recent history[edit]

In the years since the collapse of the Mythos collectible card game (production ceased in 1997), the release of CoC books has been very sporadic with up to a year between releases. Chaosium struggled with near bankruptcy for many years before finally starting their upward climb again.

2005 was Chaosium's busiest year for many years with ten releases for the game. Chaosium took to marketing 'monographs'—short books by individual writers with editing and layout provided out-of-house—directly to the consumer, allowing the company to gauge market response to possible new works. The range of times and places in which the horrors of the Mythos can be encountered was also expanded in late 2005 onwards with the addition of Cthulhu Dark Ages by Stéphane Gesbert, which gives a framework for playing games set in 11th century Europe, Secrets of Japan by Michael Dziesinski for gaming in modern-day Japan, and Secrets of Kenya by David Conyers for gaming in interwar period Africa.

In July 2011, Chaosium announced it would re-release a 30th anniversary edition of the CoC 6th edition role-playing game.^[17] This 320-page book features thick (3 mm) leatherette hardcovers with the front cover and spine stamped with gold foil. The interior pages are printed in black ink, on 90 gsm matte art paper. The binding is thread sewn, square backed. Chaosium offered a one-time printing of this Collector's Edition.

On May 28, 2013, a crowdfunding campaign on Kickstarter for the 7th Edition of Call of Cthulhu was launched with a goal of $40,000; it ended on June 29 of the same year having collected $561,836.^[18] It included many more major revisions than any previous edition, and also split the core rules into two books, a Player's Guide and Keeper's Guide.^[4][14] Problems and delays fulfilling the Kickstarters for the 7th edition of Call of Cthulhu led Greg Stafford and Sandy Petersen (who had both left in 1998) to return to an active role at Chaosium in June 2015.^[19]

We employ a team from around the world. They add hundreds of new drivers to our site every day.Tech Tip: If you are having trouble deciding which is the right driver, try the. You can and we will find it for you. Winview camera download.

Licenses[edit]

Chaosium has licensed other publishers to create supplements using their rule system, notably including Delta Green by Pagan Publishing. Other licensees have included Infogrames, Miskatonic River Press, Theater of the Mind Enterprises, Triad Entertainment, Games Workshop,^[20]Fantasy Flight Games, RAFM, Goodman Games, Grenadier Models Inc. and Yog-Sothoth.com. These supplements may be set in different time frames or even different game universes from the original game.

Shadow of the Comet[edit]

Shadow of the Comet (later repackaged as Call of Cthulhu: Shadow of the Comet) is an adventure game developed and released by Infogrames in 1993. The game is based on H. P. Lovecraft's Cthulhu Mythos and uses many elements from Lovecraft's The Dunwich Horror and The Shadow Over Innsmouth. A follow-up game, Prisoner of Ice, is not a direct sequel.

Prisoner of Ice[edit]

Prisoner of Ice (also Call of Cthulhu: Prisoner of Ice) is an adventure game developed and released by Infogrames for the PC and Macintosh computers in 1995 in America and Europe. It is based on H. Flexlm license file format. P. Lovecraft's Cthulhu Mythos, particularly At the Mountains of Madness, and is a follow-up to Infogrames' earlier Shadow of the Comet. In 1997, the game was ported to the Sega Saturn and PlayStation exclusively in Japan.

d20 Call of Cthulhu[edit]

In 2001, a stand-alone version of Call of Cthulhu was released by Wizards of the Coast, for the d20 system. Intended to preserve the feeling of the original game, the d20 conversion of the game rules were supposed to make the game more accessible to the large D&D player base. The d20 system also made it possible to use Dungeons & Dragons characters in Call of Cthulhu, as well as to introduce the Cthulhu Mythos into Dungeons & Dragons games. The d20 version of the game is no longer supported by Wizards as per their contract with Chaosium.^[21] Chaosium included d20 stats as an appendix in three releases (see Lovecraft Country), but have since dropped the 'dual stat' idea.

Dark Corners of the Earth[edit]

A licensed^[22] first-person shooter adventure game by Headfirst Productions, based on Call of Cthulhu campaign Escape from Innsmouth and released by Bethesda Softworks in 2005/2006 for the PC and Xbox.

Trail of Cthulhu[edit]

In February 2008, Pelgrane Press published Trail of Cthulhu, a stand-alone game created by Kenneth Hite using the GUMSHOE System developed by Robin Laws.^[23]Trail of Cthulhu's system is more mystery oriented and focuses mostly on interpreting clues.

Shadows of Cthulhu[edit]

In September 2008, Reality Deviant Publications published Shadows of Cthulhu, a supplement that brings Lovecraftian gaming to Green Ronin's True20 system.^[24]

Realms of Cthulhu[edit]

In October 2009, Reality Blurs published Realms of Cthulhu, a supplement for Pinnacle Entertainment's Savage Worlds system.^[25]

The Laundry[edit]

In 2010, Cubicle 7 published an official role-playing game, The Laundry^[26][27][28] and a number of supplements, all based on Charles Stross's 'Laundry Files' series.^[29]

The Wasted Land[edit]

In April 2011, Chaosium and new developer Red Wasp Design announced a joint project to produce a mobile video game based on the Call of Cthulhu RPG, entitled Call of Cthulhu: The Wasted Land.^[30][31] The game was released on January 30, 2012.^[32]

Cthulhu Chronicles[edit]

In 2018, Metarcade produced Cthulhu Chronicles, a game for iOS with a campaign of nine mobile interactive fiction stories set in 1920s England based on Call of Cthulhu.^[33][34] The first five stories were released on July 10, 2018.^[35]

Card games[edit]

Mythos was a collectible card game (CCG) based on the Cthulhu Mythos that Chaosium produced and marketed during the mid-1990s. While generally praised for its fast gameplay and unique mechanics, it ultimately failed to gain a very large market presence. It bears mention because its eventual failure brought the company to hard times that affected its ability to produce material for Call of Cthulhu. Call of Cthulhu: The Card Game is a second collectible card game, produced by Fantasy Flight Games.

Miniatures[edit]

The first licensed Call of Cthulhu 25-millimetre (1.0-inch) gaming miniatures were sculpted by Andrew Chernack and released by Grenadier Models in boxed sets and blister packs in 1983. The license was later transferred to RAFM. As of 2011, RAFM still produce licensed Call of Cthulhu models sculpted by Bob Murch. Both lines include investigator player character models and the iconic monsters of the Cthulhu mythos.As of July 2015, Reaper Miniatures started its third 'Bones Kickstarter', a Kickstarter intended to help the company migrate some miniatures from metal to plastic, and introducing some new ones. Among the stretch goals was the second $50 expansion, devoted to the Mythos, with miniatures such as Cultists, Deep Ones, Mi'Go, and an extra $15 Shub-Niggurath 'miniature' (it is, at least, 6x4 squares). It is expected for those miniatures to remain in the Reaper Miniatures catalogue after the Kickstarter project finishes.

Call Of Cthulhu Video Game Walkthrough

The Official Video Game[edit]

Call of Cthulhu: The Official Video Game is a survival horrorrole-playing video game developed by Cyanide and published by Focus Home Interactive for PlayStation 4, Xbox One and Windows. The game features a semi-open world environment and incorporates themes of Lovecraftian and psychological horror into a story which includes elements of investigation and stealth. It is inspired by H. P. Lovecraft's short story 'The Call of Cthulhu'.

Reception[edit]

Several reviews of various editions appeared in Space Gamer/Fantasy Gamer.

• In the March 1982 edition (No. 49), William A. Barton noted that there were some shortcomings resulting from an assumption by the designers that players would have access to rules from RuneQuest that were not in Call of Cthulhu, but otherwise Barton called the game 'an excellent piece of work.. The worlds of H. P. Lovecraft are truly open for the fantasy gamer.'^[36]
• In the October–November 1987 edition (No. 80), Lisa Cohen reviewed the 3rd edition, saying, 'This book can be for collectors of art, players, or anyone interested in knowledge about old time occult. It is the one reprint that is worth the money.'^[37]

Several reviews of various editions appeared in White Dwarf.

• In the August 1982 edition (Issue 32), Ian Bailey admired much about the first edition of the game; his only criticism was that the game was too 'U.S. orientated and consequently any Keeper.. who wants to set his game in the UK will have a lot of research to do.' Bailey gave the game an above average rating of 9 out of 10, saying, 'Call of Cthulhu is an excellent game and a welcome addition to the world of role-playing.'^[38]
• In the August 1986 edition (Issue 80), Ashley Shepherd thought the inclusion of much material in the 3rd edition that had been previously published as supplementary books 'makes the game incredibly good value.' He concluded, 'This package is going to keep Call of Cthulhu at the front of the fantasy game genre.'^[39]

Several reviews of various editions and supplements also appeared in Dragon.

• In the May 1982 edition (Issue 61), David Cook thought the rules were too complex for new gamers, but said, 'It is a good game for experienced role-playing gamers and ambitious judges, especially if they like Lovecraft’s type of story.'^[40]
• In the August 1987 edition (Issue 124), Ken Rolston reviewed the Terror Australis supplement for 3rd edition that introduced an Australian setting in the 1920s. Bambra thought that 'Literate, macabre doom shambles from each page. Good reading, and a good campaign setting for COC adventures.'^[41]
• In the October 1988 edition (Issue 138), Ken Rolston gave an overview of the 3rd edition, and placed it ahead of its competitors due to superior campaign setting, tone and atmosphere, the player characters as investigators, and the use of realistic player handouts such as authentic-looking newspaper clippings. Rolston concluded, 'CoC is one of role-playing’s acknowledged classics. Its various supplements over the years have maintained an exceptional level of quality; several, including Shadows of Yog-Sothoth and Masks of Nyarlathotep, deserve consideration among the greatest pinnacles of the fantasy role-playing game design.'^[42]
• In the June 1990 edition (Issue 158), Jim Bambra liked the updated setting of the 4th edition, placing the game firmly in Lovecraft's 1920s. He also liked the number of adventures included in the 192-page rulebook: 'The fourth edition contains enough adventures to keep any group happily entertained and sanity blasted.' However, while Cook questioned whether owners of the 2nd or 3rd edition would get good value for their money — 'You lack only the car-chase rules and the improved layout of the three books in one. The rest of the material has received minor editing but no substantial changes' — Cook strongly recommended the new edition to newcomers, saying, 'If you don’t already play CoC, all I can do is urge you to give it a try.. discover for yourself why it has made so many converts since its release.'^[43]
• In the October 1992 edition (Issue 186), Rick Swan admitted that he was skeptical that the 5th edition would offer anything new, but instead found that the new edition benefited from 'fresh material, judicious editing, and thorough polishes.' He concluded, 'Few RPGs exceed the CoC game’s scope or match its skillful integration of background and game systems. And there’s no game more fun.'^[44]

Call Of Cthulhu Video Game

In a 1996 reader poll by Arcane magazine to determine the 50 most popular roleplaying games of all time, Call of Cthulhu was ranked 1st. Editor Paul Pettengale commented: 'Call of Cthulhu is fully deserved of the title as the most popular roleplaying system ever - it's a game that doesn't age, is eminently playable, and which hangs together perfectly. The system, even though it's over ten years old, it still one of the very best you'll find in any roleplaying game. Also, there's not a referee in the land who could say they've read every Lovecraft inspired book or story going, so there's a pretty-well endless supply of scenario ideas. It's simply marvellous.'^[45]

Awards[edit]

The game has won several major awards:^[46]

• 1982, Origins Awards, Best Role Playing Game
• 1981, Game Designer's Guild, Select Award
• 1985, Games Day Award, Best Role Playing Game
• 1986, Games Day Award, Best Contemporary Role Playing Game
• 1987, Games Day Award, Best Other Role Playing Game
• 1993, Leeds Wargame Club, Best Role Playing Game
• 1994, Gamer's Choice Award, Hall of Fame
• 1995, Origins Award, Hall of Fame^[47]
• 2001, Origins Award, Best Graphic Presentation of a Book Product (for Call of Cthulhu 20th anniversary edition)
• 2003, GamingReport.com readers voted it as the number-one Gothic/Horror RPG

Smw Call Of Cthulhu Download

See also[edit]

• Arkham Horror - a cooperative board game based on the Mythos.
• Cthulhu Live - a live action role-playing game version of Call of Cthulhu.
• CthulhuTech - another role-playing game, conceived for a 'Cthulhu science-fiction setting'.

References[edit]

1. ^Cook, Monte (2007). 'Call of Cthulhu'. In Lowder, James (ed.). Hobby Games: The 100 Best. Green Ronin Publishing. pp. 42–45. ISBN978-1-932442-96-0.
2. ^Petersen, Sandy; Willis, Lynn. 'Game Info: Call of Cthulhu'. RPG.net. Skotos Tech, Inc. Retrieved March 29, 2015.
3. ^Turnbull, Don (August 1982). 'Open Box: Call of Cthulhu'. White Dwarf. Games Workshop (32): 18. ISSN0265-8712.
4. ^ ^abIvey, Shane (July 24, 2012). 'Inside Call of Cthulhu 7th Edition'. The Unspeakable Oath. Retrieved January 25, 2013.
5. ^Paul Maclean. 'Call of Cthulhu 20th Anniversary Edition'. Valkyrie Quarterly. Retrieved September 2, 2015.
6. ^'Call of Cthulhu (1st Edition)'. RPGGeek.com. Retrieved September 1, 2015.
7. ^'Call of Cthulhu (2nd Edition)'. RPGGeek.com. Retrieved September 1, 2015.
8. ^'Call of Cthulhu (3rd Edition)'. RPGGeek.com. Retrieved September 1, 2015.
9. ^'Call of Cthulhu (4th Edition)'. RPGGeek.com. Retrieved September 1, 2015.
10. ^ ^ab'Call of Cthulhu (5th Edition)'. RPGGeek.com. Retrieved September 1, 2015.
11. ^'20th Anniversary Edition Call Of Cthulhu RPG'. Chaosium.com. Chaosium. Archived from the original on October 20, 2001. Retrieved September 12, 2015.
12. ^'Call of Cthulhu (6th Edition/20th Anniversary releases)'. RPGGeek.com. Retrieved September 1, 2015.
13. ^'Call of Cthulhu (6th Edition)'. RPGGeek.com. Retrieved September 1, 2015.
14. ^ ^ab'Call of Cthulhu (7th Edition)'. RPGGeek.com. Retrieved September 1, 2015.
15. ^Frances, Phil (November 1985). 'Open Box: Dungeon Modules'. White Dwarf. Games Workshop (71): 7–8. ISSN0265-8712.
16. ^Sutherland, Jon (November 1983). 'Open Box: Dungeon Modules'. White Dwarf. Games Workshop (47): 14. ISSN0265-8712.
17. ^'Taking Preorders: Call of Cthulhu 30th Anniversary Edition'. Chaosium.com. Archived from the original on July 30, 2011. Retrieved July 16, 2011.
18. ^[1]
19. ^'Call of Cthulhu 7th Edition'. Kickstarter. Retrieved June 11, 2015.
20. ^Games Workshop was active with Chaosium from 1983-1987 - mostly publishing the BRP games in hardback bookform but producing some material, notably Green and Pleasant Land (1987) by Marc Gascoigne, Bryan Ansell and others
21. ^'Wizards' d20 Cthulhu Forum to Close'. Yog-Sothoth.com. November 18, 2003. Retrieved March 28, 2016.
22. ^Call of Cthulhu: Dark Corners of the Earth Interview, IGN, February 8, 2000
23. ^'The Trail of Cthulhu'. Archived from the original on July 15, 2011. Retrieved August 17, 2007.
24. ^david jarvis (September 15, 2008). 'Shadows of Cthulhu is now on sale!'. Retrieved September 16, 2008.
25. ^'Realms of Cthulhu'. Retrieved January 30, 2010.
26. ^2010, ISBN1-907204-93-8, Gareth Hanrahan
27. ^Stross, Charles (December 12, 2010). 'A message from our sponsors'. Charlie's Diary. Retrieved June 13, 2011.
28. ^UK Roleplayers (March 10, 2010). 'Charles Stross' 'The Laundry Files' RPG Announced'. Archived from the original on July 27, 2011. Retrieved June 13, 2011.
29. ^Cubicle 7. 'The Laundry – Cubicle 7 Entertainment Web Store'. Retrieved June 13, 2011.
30. ^'Call of Cthulhu Coming to Mobile'. Archived from the original on May 17, 2011.
31. ^'Call of Cthulhu The Wasted Land'. Retrieved June 5, 2011.
32. ^'Call of Cthulhu The Wasted Land Launches'. Retrieved February 7, 2012.
33. ^'Apple Store: Cthulhu Chronicles'. Retrieved July 10, 2018.
34. ^'MetaArcade: Cthulhu Chronicles'. Retrieved July 10, 2018.
35. ^'MetaArcade launches Cthulhu Chronicles horror game on iOS'. Retrieved July 10, 2018.
36. ^Barton, William A. (March 1982). 'Featured Review: Call of Cthulhu'. The Space Gamer. Steve Jackson Games (49): 4–7.
37. ^Cohen, Lisa (October–November 1987). 'Call of Cthulhu'. Space Gamer/Fantasy Gamer. Diverse Talents, Incorporated (80): 40.
38. ^Bailey, Ian (August 1982). 'Open Box'. White Dwarf. Games Workshop (32): 18.
39. ^Shepherd, Ashley (August 1986). 'Open Box'. White Dwarf. Games Workshop (80): 2.
40. ^Cook, David (May 1982). 'The Dragon's Augury'. Dragon. Lake Geneva, Wisconsin: TSR (#61): 70-71.
41. ^Rolston, Ken (August 1987). 'Roleplaying Review'. Dragon. Lake Geneva, Wisconsin: TSR (#124): 14.
42. ^Rolston, Ken (October 1988). 'Roleplaying Reviews'. Dragon. Lake Geneva, Wisconsin: TSR (#138): 78-79.
43. ^Bambra, Jim (June 1990). 'Roleplaying Reviews'. Dragon. Lake Geneva, Wisconsin: TSR (#158): 82-88.
44. ^Swan, Rick (October 1992). 'Roleplaying Reviews II'. Dragon. Lake Geneva, Wisconsin: TSR (#186): 96-97.
45. ^Pettengale, Paul (Christmas 1996). 'Arcane Presents the Top 50 Roleplaying Games 1996'. Arcane. Future Publishing (14): 25–35.
46. ^'Chaosium Awards'. Chaosium. Retrieved April 27, 2015.
47. ^'Origins Award Winners (1995)'. Academy of Adventure Gaming Arts & Design. Archived from the original on January 2, 2008. Retrieved November 1, 2007.

Call Of Cthulhu Video Game Soundtrack

• Lhomme, Tristan (July–August 1992). 'Call of Cthulhu, la 5e édition américaine'. Casus Belli (70): 26. Review (in French)

External links[edit]