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The Phantom of the Opera Lyrics. CHRISTINE He's there, the Phantom of the Opera CHRISTINE vocalizing PHANTOM Sing! Sing for me Sing, my Angel of Music! I have brought you To the scene of sweet music's throne To this kingdom where all must pay homage to music Music. You have come here For one purpose and one alone Since.

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'The Phantom of the Opera' is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt.^[1] The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom.

• 2Sarah Brightman and Steve Harley version

Background[edit]

The song is performed in Act I after the song 'Angel of Music' (The Mirror) and before 'The Music of the Night' (and is reprised in Act Two at the end of the song 'Notes/Twisted Every Way'). It takes place as the Phantom escorts Christine by boat to his lair beneath the Opera Garnier. It is sung as a duet by Christine and the Phantom. At the end of the song, Christine sings her highest note in the show, an E6. In different shows, Sarah Brightman sings this song in different duets with other performers, Antonio Banderas, Chris Thompson, Alessandro Safina, Mario Frangoulis, Colm Wilkinson, Anthony Warlow, John Owen-Jones, Peter Jöback and Erkan Aki

Sarah Brightman and Steve Harley version[edit]

In January 1986, the original version of 'The Phantom of the Opera' was released as a single to promote the upcoming musical of the same name. The duet was performed by Sarah Brightman and Steve Harley. The song became a Top 10 hit in the UK, peaking at #7, and remaining within the Top 100 for ten weeks.^[3]

Background[edit]

In 1984, Lloyd Webber and producer Cameron Mackintosh began working on the Phantom of the Opera musical. Sarah Brightman, whom Lloyd Webber married in 1984, was set to play the heroine Christine. As development of the musical continued, Lloyd Webber decided that releasing the title track as a pop single would be a good way of promoting the upcoming musical, and to 'test the water' in terms of public reception. He stressed that he wanted the song to have a rock 'n' roll sound, to which producer Mike Batt added an 'electro-pop beat and heavy metal guitars'.^[4]

Having worked together on the 1983 single 'Ballerina (Prima Donna)', Batt phoned Steve Harley with the offer of singing the role of the Phantom on the track,^[5] and duly suggested Harley to Lloyd Webber. Batt believed Harley's voice was just right for the song.^[6] Although he was currently working on his own solo album, having signed a new contract with Mickie Most's label RAK,^[7] Harley 'jumped at the chance' to record the song.^[8]

Harley had to audition for the recording of the song at Lloyd Webber's home. Speaking to Number One magazine's Debbi Voller in February 1986, Harley revealed: 'I don't mean to boast but after only singing one verse he told me I'd got the job!'^[9][10] He also commented to the Daily Star at the time: 'A friend said he was going to tell Andrew that my voice was just right for the song. I thought he was joking. But I really enjoyed working with Andrew. I'd love to play the Phantom when he puts the show on stage.'^[6]

Speaking of the recording of the song, Harley said: 'I felt a bit like a fish out of water. Sarah would record her part perfectly then leave, and I'd have to stay until I hit those notes. It really stretched me.'^[8] In the 2005 Behind the Mask documentary, Harley recalled: 'I'd never done a duet. I knew Sarah could sing with an angelic soprano. I was quite happy to give it a crack, as it were.'^[11]

The single was released in January 1986, and reached #7 in the UK in early February. At the time of its success, the UK press reported the rumour that Brightman had not wanted to work with Harley due to a negative review he gave on radio years before of one of her previous records. In the 23 March 1986 issue of the Mail on Sunday's You magazine, Brightman commented: 'That was just a joke. I was very pleased to work with him. Anyway, I didn't say that. I don't bear grudges.'^[12]

Despite the success of the single, the masked nature of the Phantom character, (particularly in the music video), meant that Harley did not gain instant recognition for his role. He commented to the Daily Star in February 1986: 'It's crazy. Here I am back in the charts and not even my nearest and dearest know it's me. But, in a way, I like my face not being seen. It's great to have fame and anonymity at the same time.'^[6]

Being the prime candidate for the role of the Phantom in the musical, Harley ended up auditioning in front of the creative team, and was given the role the following day. He then spent five months rehearsing, including working with producer Hal Prince. He also recorded other tracks from the musical including 'Music of the Night' and 'All I Ask of You'. He was surprised to find he was later replaced by Michael Crawford. For Behind the Mask, Cameron Mackintosh said: 'He wasn't that experienced as an actor. It became obvious to me, and then I discussed it with Hal and Andrew, who also came to the same conclusion that this was a lovely impulse but not the right decision for the show.'^[11]

Harley later recalled: 'What happened is a mystery to me. There was no hint that they were unhappy with me, or that they were seeing anyone behind my back.' Harley received £20,000 compensation after he was removed from the musical, but was given no explanation.^[11] It has been suggested that due to suffering from polio as a child, there were doubts as to whether Harley could effectively cope with the part.^[13]

Release[edit]

The single was released by Polydor Records on 7' and 12' vinyl, as well as on CD in Japan. The single was released in the UK, Ireland, America, Canada, Australia, Japan and across Europe including Germany, France, Portugal and Spain.^[14][15] In the UK, a limited edition 7' release was issued in addition to the standard one. This limited edition version featured a luminous disc.^[16]

The B-Side 'Overture – The Phantom of the Opera' is a two-minute instrumental version of the A-Side. It was written and produced by Andrew Lloyd Webber.^[17] On the American 7' vinyl release, the B-Side was re-titled 'The Phantom of the Opera (Instrumental)'. The graphic artwork and sleeve design for all versions of the single was created by Dewynters Ltd, London.^[18]

On the back sleeve of the release, a short passage reads:

'Ladies and Gentlemen, On this recording I have required that Sarah Brightman and Steve Harley perform the theme from the forthcoming musical, which I have instructed Andrew Lloyd Webber to write around my legend 'The Phantom of the Opera.' Your Obedient Servant, The Phantom'.^[2]

The 12' version of the single features a seven-minute extended remix of the song, as well as the standard version.^[19][20] Following the original mini CD release of the single in Japan, it was re-issued there again in 1992 on the same format.^[21][22]

Brightman and Harley's version of the song would later appear on the 1994 compilation The Very Best of Andrew Lloyd Webber,^[23] as well as on another Lloyd Webber compilation, titled Gold – The Definitive Hit Singles Collection, released in 2001.^[24]

Music video[edit]

Directed by Ken Russell, the music video for the single also acted as promotion for the upcoming musical.^[13] After the chart success of the single, Lloyd Webber wanted to further promote the musical, and the resultant video took a week to shoot.^[25] In his book Phallic Frenzy: Ken Russell and His Films, author Joseph Lanza noted that the video: 'packs in the gist of the musical's message and story in just over four minutes.'^[4] In his interview with Number One magazine, Harley spoke of Russell, describing him as 'terribly friendly, though I must admit his work does give the impression that he lives on another planet!'^[9]

The video starts with Brightman as Christine running to her dressing room. On her way there, Raoul gives her a purple flower bouquet, which she takes with her. In her dressing room, she finds a gift box from the Phantom (portrayed by Harley). She opens it and puts the veil inside on her head. Then, she enters the mirror, arriving in the Phantom's lair, with the Phantom standing across the other side of a lake. Christine crosses the lake on a boat the moves by itself. The closing segment features Christine performing on stage in front of an audience including Raoul. The Phantom, secretly spectating, cuts a rope backstage which causes the chandelier to crash on top of Raoul. The video ends with Christine screaming before blood red drips over and envelops the screen.

In the Behind the Mask documentary, Richard Stilgoe described the video as 'wonderful, as over-the-top as you can get'. Cameron Mackinstosh said: 'Ken Russell came up with the most brilliant, outrageous video. It's fantastic fun, and completely over-the-top, which of course Andrew and I loved.'^[11]

Track listing[edit]

7' Single

1. 'The Phantom of the Opera' – 4:40
2. 'Overture – The Phantom of the Opera' – 2:10

7' Single (US release)

1. 'The Phantom of the Opera' – 4:40
2. 'The Phantom of the Opera (Instrumental)' – 2:10

12' Single

1. 'The Phantom of the Opera (Extended Version)' – 7:09
2. 'The Phantom of the Opera' – 4:40
3. 'Overture – The Phantom of the Opera' – 2:10

12' Single (Canadian promo)

1. 'The Phantom of the Opera (Edited Version)' – 3:44
2. 'The Phantom of the Opera' – 4:39

CD Single (Japanese release)

1. 'The Phantom of the Opera' – 4:44
2. 'Overture – The Phantom of the Opera' – 2:13

Chart performance[edit]

Phantom Opera Free Songs Free

Plagiarism allegations[edit]

In 1990, songwriter Ray Repp sued Lloyd Webber, saying he had plagiarised the 'Phantom of the Opera' melody from his 1978 song 'Till You'.^[27] Lloyd Webber denied this, saying he had taken parts from his own earlier work, 'Close Every Door', and that both songs included elements of compositions by Bach, Grieg and Holst. The judge ruled in Lloyd Webber's favour in 1994.^[27]

In 1992, former Pink Floyd songwriter Roger Waters asserted that Lloyd Webber had plagiarised 'The Phantom of the Opera' from a sequence of the Pink Floyd track 'Echoes':

Phantom Of The Opera Youtube Songs

Yeah, the beginning of that bloody Phantom song is from 'Echoes' ..I couldn't believe it when I heard it. It's the same time signature – it's 12/8 – and it's the same structure and it's the same notes and it's the same everything. It probably is actionable. It really is! But I think that life's too short to bother with suing Andrew fucking Lloyd Webber.^[28]

References[edit]

Phantom Opera Free Songs 2017

1. ^'Songs from the Phantom of the Opera – Various Artists | Songs, Reviews, Credits | AllMusic'. allmusic.com. Retrieved 10 November 2016.
2. ^ ^ab'Sarah Brightman And Steve Harley – The Phantom Of The Opera / Overture The Phantom Of The Opera – Polydor – UK – POSP 800'. 45cat. Retrieved 26 May 2016.
3. ^ ^ab'Sarah Brightman & Steve Harley – full Official Chart History'. Officialcharts.com. 20 May 2016. Retrieved 26 May 2016.
4. ^ ^ab'Phallic Frenzy: Ken Russell and His Films – Joseph Lanza – Google Books'. Books.google.co.uk. Retrieved 26 May 2016.
5. ^'Phantom Frolic – N.M.E. 8.02.86'. Harleyfanzone.com. Archived from the original on 1 July 2016. Retrieved 26 May 2016.
6. ^ ^abc'Unmasked – Daily Star 3.02.86'. Harleyfanzone.com. Archived from the original on 1 July 2016. Retrieved 26 May 2016.
7. ^'The Phantom Strikes Again – Bill Hagerty'. Harleyfanzone.com. Archived from the original on 29 June 2016. Retrieved 26 May 2016.
8. ^ ^ab'The Phantom of the Opera – Article With Lyrics'. Harleyfanzone.com. Archived from the original on 1 July 2016. Retrieved 26 May 2016.
9. ^ ^ab'Kniestedt.com/theatre'. Kniestedt.com. Retrieved 26 May 2016.
10. ^'Steve Harley : Who Was That Masked Man Article & Picture(s): Amazon.co.uk: NewspaperClipping: Books'. Amazon.co.uk. Retrieved 26 May 2016.
11. ^ ^abcdBehind the Mask: The Story of 'The Phantom of the Opera' – Steve Harley Interview – 2005 Documentary
12. ^'1980s Newspapers'. Early-sarah-brightman.com. Retrieved 26 May 2016.
13. ^ ^ab'Rebel Thespian – Readers Letter Reply, Mojo '09'. Harleyfanzone.com. Archived from the original on 1 July 2016. Retrieved 26 May 2016.
14. ^'Sarah Brightman, Steve Harley – The Phantom Of The Opera at Discogs'. Discogs.com. Retrieved 26 May 2016.
15. ^'Sarah Brightman And Steve Harley Discography – All Countries'. 45cat. Retrieved 26 May 2016.
16. ^'Sarah Brightman, Steve Harley, Andrew Lloyd Webber – The Phantom Of The Opera (Vinyl) at Discogs'. Discogs.com. Retrieved 26 May 2016.
17. ^'Sarah Brightman, Steve Harley – The Phantom Of The Opera (Vinyl) at Discogs'. Discogs.com. Retrieved 26 May 2016.
18. ^'Sarah Brightman & Steve Harley, Andrew Lloyd Webber – The Phantom Of The Opera (Vinyl) at Discogs'. Discogs.com. Retrieved 26 May 2016.
19. ^'Sarah Brightman / Steve Harley – The Phantom Of The Opera (Vinyl) at Discogs'. Discogs.com. Retrieved 26 May 2016.
20. ^'Steve Harley With Sarah Brightman – The Phantom Of The Opera (Vinyl) at Discogs'. Discogs.com. Retrieved 26 May 2016.
21. ^'Sarah Brightman, Steve Harley – The Phantom Of The Opera (CD) at Discogs'. Discogs.com. Retrieved 26 May 2016.
22. ^'Sarah Brightman, Steve Harley – The Phantom Of The Opera (CD) at Discogs'. Discogs.com. Retrieved 26 May 2016.
23. ^'Various, Andrew Lloyd Webber – The Very Best Of Andrew Lloyd Webber (CD) at Discogs'. Discogs.com. Retrieved 26 May 2016.
24. ^'Andrew Lloyd Webber – Gold – The Definitive Hit Singles Collection at Discogs'. Discogs.com. Retrieved 26 May 2016.
25. ^'The Phantom of the Opera'. Web.archive.org. 18 March 2004. Archived from the original on 18 March 2004. Retrieved 26 May 2016.CS1 maint: unfit url (link)
26. ^Jaclyn Ward. 'The Irish Charts – All there is to know'. Irishcharts.ie. Archived from the original on 3 June 2009. Retrieved 2016-05-26.
27. ^ ^abSmith, Dinitia (5 December 1996). 'Who Copied Whom? Ruling Implies Neither'. The New York Times. ISSN0362-4331. Retrieved 13 July 2019.
28. ^'Who the hell does Roger Waters think he is?'. Q. November 1992. Archived from the original on 22 October 2015. Retrieved 2009-11-20.