Megadeth Endgame Review

Megadeth are a conundrum for me. On one hand, they are a perfectly acceptable outfit, not too pretentious sounding and definitely not trying to be anything they aren't, but on the other hand, I just don't enjoy them as much as all that. I can listen to Dave Mustaine and his traveling circus of rotating band members any time and enjoy it well enough, but the question of why people think this band is so great continues to elude me. Why? Well, let's take a look at their latest metallic venture entitled Endgame to find out.

Dave Mustaine and Megadeth are back with a new guitarist and a whole lotta shred. The 'Deth's bestin years! Endgame is the album where fans go gaga over Megadeth actually being thrash. It is arguably their thrashiest record to date as well. However, it doesn't quite live up to the godlike hype.

Megadeth endgame

Make no mistake about it, Endgame is the finest Megadeth album since Countdown to Extinction, and virtually eliminates the worth of the six albums in between. Dave Mustaine has finally released a set of songs that doesn’t just have the name Megadeth on it, but truly is an actual MEGADETH album.

So Dave is back after a few years with a new band, most notably in the inclusion of much-ballyhooed ex-Jag Panzer guitarist Chris Broderick. I guess that got some common sense into Dave's head, because here there is a marked decline in the spoken-word political diatribes that often plagued United Abominations. Yes, imagine that, most of the vocal parts on an album actually being singing; what an innovative concept. The band pulls their weight well enough, with no-one putting on a particularly spellbinding performance except for maybe Broderick, who has been given elongated lead guitar sections just to show him off – but it's actually kind of forgivable, as it is pretty entertaining in combination with Mustaine's biting riffs and reedy vocal ramblings. No surprises anywhere, but everything is done well enough. Solid is the right word to use here.

The songs are all in the decent to good range, with the best ones being the opening volley of 'Dialectic Chaos' and 'This Day We Fight,' the chugging, snarling, smoldering mass of steel that is the title track and the strangely balladic 'The Hardest Part of Letting Go…Sealed with a Kiss.' Even the mediocre songs like 'Bodies' and 'How the Story Ends' still have enough leads and riffs to not become worthy of skipping, so it's all good. One thing I do like about this album is that Dave just focused on writing kickass songs, with no gimmickry and only a smidgen of politically fueled nonsense this time around. The songs only have one modus operandi, and that is kicking your ass.

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But again, I just don't think this album, or Megadeth in general, are anything really amazing. They just don't have any real identity, and that's much more important than most people give them credit for. Every once in a while you hear a song like '44 Minutes,' with its chunky rhythms and attitude-filled chorus, and think Hey, that sounds like Megadeth, but most of the time, Dave's constant attitude changes and band changes render Megadeth void of any kind of signature flavor, if that makes sense. The band is TOO metamorphic; they have been even since the early days. Dave writes cool riffs, but the feel is different from album to album, in a gap that is too wide for them to hide behind the ‘variety' failsafe.

A good band doesn't just write good songs, but they write good songs while establishing an identity that will be expounded upon and revisited in future albums – yeah, you get some bands that change style and get a new identity, but that's still different and more respectable than what Dave Mustaine has dug himself into. Megadeth just doesn't have any kind of real style to them, and as a result, whenever I hear one of their songs without already knowing who it is, I go, what band is this again? That goes double for Endgame. This is a good album, but realistically it's more like ‘Generic Metal Album Number X' than an album by a storied and popular band making a comeback. Check it out if you want solid Heavy Metal.

In exactly two weeks (September 15), the highly acclaimed thrash metal band, Megadeth, is due to release their twelfth album. Since the reformation of Megadeth, they have released two albums; this is to be their third. It consists of eleven tracks, summing up to approximately 45 minutes. Though this upcoming record is entitled Endgame Dvd rw drivers. , it is doubtful that this album will mark the end of Megadeth.

The Music (rating: A-)

  1. Dialectic Chaos (Instrumental)
  2. This Day We Fight!
  3. 44 Minutes
  4. 1, 320
  5. Bite the Hand
  6. Bodies
  7. Endgame
  8. The Hardest Part of Letting Go… Sealed With a Kiss
  9. Headcrusher
  10. How the Story Ends
  11. The Right to Go Insane

On a side-note, I personally feel “How the Story Ends” would be a much better conclusion to the record. But moving along…

Megadeth Endgame Review 2016

Endgame, as you would guess, is a monster guitar album. In this collection, you will find a collection of hard-hitting riffs and blistering solos supported by heavy basslines and lots of double bass. However, do not expect anything beyond standard regarding the vocals. By no means is this a typical thrash album, but it is a predictable one. It basically embraces the standard conventions of thrash metal, but executes them at a high level.

Although it is good, this album does not touch their second release, Peace Sells… But Who’s Buying?, and is not even in the same ballpark as their masterpiece, Rust in Peace. To Testament fans, this could be seen as the Formation of Damnation of Megadeth. Though Endgame is much heavier than it’s predecessor, United Abominations, they are relatively equal in quality. Both very good albums, though neither with enough spark to elevate it to a higher ground. Between the two, United Abominations had a greater vocal performance, but Endgame had more creative riffs. However, if you’re love for metal is rooted strictly in its heaviness, you will find yourself something special in this album.

But as stated earlier, there were issues with the vocals on this album. And I do recognize that Dave Mustaine’s snarly voice can be unappealing to many. That, however, is not the issue at hand. In this album, there is absolutely nothing special about the vocals in terms of range, control, phrasing, or dynamics. With more effort in this area, this album could have been what I would consider a Megadeth classic to be. At their concert a few months ago, Mustaine could sing the classics perfectly. So I am led to believe that he simply does not have as much care for the vocals in his songs anymore. This could possibly be due to the fact that Megadeth has been constantly referred to as a guitar band and he sees that the vocals will make little difference to the appreciation of the music by the fan-base. Or it could be because his music has been getting heavier and this is his own way of making the vocals more complimentary. Whatever the reason, I am not impressed.

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However, the instrumentals are quite impressive. Shawn Drover, although not groundbreaking, does a great drum performance on this album. In general, his beats and fills are rather predictable for thrash, but he does show himself to be more capable than the standard drummer. The same could be said about the bassist, James LoMenzo. He is rather impressive throughout the record, but I would not say there was anything too special about the bass. But of course, the two are flawless in their duties as Megadeth band members: guitar support.

The guitar in this album is phenomenal! It is truly amazing how, after over twenty years, Megadeth’s guitar work is still able to excite the mind in ways unimaginable. The riffs are graced with such mastery and creativity, as well as diversity. They are among the best that Megadeth has had to offer since Rust in Peace. The guitar solos are mind-blowing as well, making this album a triumphant debut for the new guitarist, Chris Broderick. Still, he is unable to match the likes of former guitarists, Marty Friedman and Chris Poland. Despite being an awesome guitarist, I doubt Broderick will be able to impact a Megadeth album as strongly as the former two. Nonetheless, the guitaring by Mustaine and Broderick is quite stellar.

Having a guitarist (Mustaine) as the primary songwriter, Megadeth is, and always has been, a heavily guitar-based band. For this reason, it is not necessary for the other band members to display extraordinary musical talent. If they are able to compliment the guitar parts to the best of their ability, then they are able to be a part of what could be recognized as a masterpiece record. Where the bass and drums did a fine job of this, the vocals were quite lackluster. For this reason, I doubt this album will be universally renowned as a masterpiece.

Megadeth Endgame Remastered

Overall, this was record was very well done. It is not a must have (depending on your standards), but it is worth listening to. The guitars were excellent and the support instruments strongly emphasized the excellence of the guitars. Apart from the vocals, I have no complaints about this album. Thought it won’t be seen as a classic, Endgame can be recognized as a strong effort as well as a sign that Megadeth is not nearing the end of their game.

Endgame Reviews Bad

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